| ORAL HISTORY PROJECT
OF THE MARIN COUNTY FREE LIBRARY Anne T. Kent California Room Original recording available at the Anne T. Kent California Room © All materials copyright Marin County Free Library. Transcript made available for research purposes only. All rights are reserved to the Marin County Free Library. Requests for permission to quote for publication should be addressed to the: Anne T. Kent California Room Marin County Free Library 3501 Civic Center Dr. #427 San Rafael, California, 94903 |
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INTERVIEWEE: Valerie Ansel (VA)
INTERVIEWERS: Carla Ehat (CE) and Anne Kent (AK)
DATE OF INTERVIEW: July 12, 1976
CE: Today is Monday, July 12, 1976. Continuing the Oral History Program of
the California Room at the Marin County Library at the Civic Center, this is
Carla Ehat and joining me today is Mrs. Thomas Kent. We have the pleasure of
visiting this morning with Miss Valerie Ansel, who resides at 245 A Crescent
Road in San Anselmo, California. Miss Ansel was born in Alameda on January 1,
1892 and has resided in San Anselmo since 1914. Is that correct Valerie?
VA: Yes, that is correct.
CE: She has been, for 46 years a teacher in the Marin County Schools, forty-five
years I believe in San Anselmo alone, as teacher, principal. She has served
as Chairman of the San Anselmo Library Board and we’re here today at her
charming residence to have her tell us her story about her extraordinary career.
Now Valerie, how did it all begin that you entered the field of education? You
were born in Alameda. What prompted you to go, to attend the San Francisco Normal
School and have this vocation?
VA: I had always been interested in small children. I liked to be with the little
people and in my neighborhood there were several youngsters who looked up to
me. I was a bit older, of course, and I think so often little folks look up
to the older generation as I call it. In our home, where we lived at the time
on the corner of Chestnut and Encinal we had a remarkable room at the top of
the house. It would have been known, I suppose, as an attic and my father had
it so arranged that it became a big playroom. We had a little stage there and
we had desks and so forth and the children in the neighborhood gathered in our
home. It was a regular center. My brother’s friends and my sister’s
friends came too. However, I was the oldest and my little group was not the
group that was interested in the other members of the family. The children,
so many of them, seemed so eager to want to learn and I just began to take on
little folks and --
CE: Just took hold?
VA: Took hold, and we had a little classroom from time to time, you know, and
we would do certain things. We used to do little plays and so forth and so on,
you know. And in fact one girl, a woman who has recently passed away, became
a very, very well known educator in Sonoma County. She became a Supervisor of
Education and did a remarkable job.
CE: Do you recall her name, Valerie?
VA: I can’t think of her married name. I should but I don’t remember
just this minute but her first name was Anna. She was a child of older parents.
The mother and father could have been her grandparents. But this little girl
had the keenest mind and she loved to be with me and with our little group and
she always said, “I’m going to be a teacher.” And I used to
say to her, “And Anna I believe I’m going to be a teacher too.”
My mother had been a kindergarten teacher in Alameda when she first moved there.
They had a German kindergarten.
CE: German?
VA: Yes, German kindergarten.
CE: For teaching the German children families?
VA: Yes, Alameda was -- had many pioneers among the Germans.
CE: I didn’t know that.
VA: Yes, yes, yes.
CE: Because I have German in my background. My mother was a product of a German
settlement in Chicago. For instance they had their Turnverein and they spoke
German et cetera, but I never knew that existed in Alameda.
VA: Oh yes. My mother was born in San Francisco and her people --
CE: How did they come?
VA: Well my grandmother, her mother, came from Europe through Panama, that way.
CE: And crossed the Isthmus and came up by vessel?
VA: Yes, that’s right. My grandfather came around the Horn, I believe,
her father.
CE: Did they ever tell you why they settled in Alameda? Was that after they
were married to raise you or --
VA: My grandparents lived in San Francisco for many years and when my grandfather
passed away, why, my mother and her sisters and so forth thought that it would
be much better to go over to Alameda, which was a small community and --
CE: Raise a family.
VA: The German friends all there and that’s where my mother met my father.
But in the meantime she had this little kindergarten in her home and her little
pupils were these sons and daughters of the German friends.
CE: And how appropriate because kindergarten is a German word.
VA: Yes it is. And then --
CE: Well that must have influenced you a little bit.
VA: I think so. And then when I was growing up, down there in that neighborhood
there where my mother and father lived, I used to go to the Fraulein’s
Kindergarten and she had quite an interesting school. It was in her home. Her
niece was Olga Fondelietz, Doctor Fondelietz’sister, and she was the influence
of my life. She had a great influence on me; we just loved Miss Olga. She was
a charming person. In the meantime I neglected to tell you that I spoke nothing
but German until I was six or seven years old. I spoke German in the home always;
and Miss Olga really taught me English, you see, and I stayed in the Fraulein
School until I was about eight and then I went into the public schools.
CE: I see.
VA: But I was ready to go then because I could speak English. But in the meantime
we spoke German a great deal too, you know.
CE: I think it’s very important to hang onto your heritage and the language
and the music. Would you not agree?
VA: Oh yes, definitely.
CE: My warmest memories of my grandmother are the German songs she taught us
when we were children, the Lieder and --
VA: Oh yes, the Lieder, oh yes.
CE: And they have stayed with me all my life. Do you still speak German?
VA: Yes, yes. I’m not as conversant as I was because one has to speak
--
CE: Use, use the tools.
VA: Yes. But my sister and I on our trip last year in Europe --
CE: Did you visit?
VA: We went to my father’s birthplace in France. He was Alsatian.
CE: So where was he from? Strasbourg?
VA: Near Colmar.
CE: Colmar.
VA: Yeah, near Colmar. But we went to Strasbourg since that was our focal point,
then we’d go out into the country, you see. But went right to my father’s
home, where he was --
CE: Wasn’t that exciting. Was this your first visit there?
VA: My first visit there, yes.
CE: To his birthplace?
VA: Yes, my sister’s second.
CE: Were you able to do any historical or genealogical research on your family
when you were there?
VA: No, but when my sister was there about ten years ago, she did and found
the records and so forth.
CE: You’re indeed fortunate.
VA: Yes. It was interesting indeed for her and then of course she passed that
on to all of us. But then going back to the school I was in, and public school,
and graduated from Alameda High School. Then I knew, oh, I knew long before
that, the thing I wanted to do was teach, and so a group of us used to commute
every day to the Normal School and I am really delighted that I had that opportunity,
because Doctor Frederick Burke was the head of the Normal and he was a very
outstanding educator. And I just feel if some of the young people today could
have had his instruction and could have been under his regime there’d
be many more dedicated teachers -- because dedication was the by-word.
CE: I know it’s difficult for you to say but I would like to ask you to
comment. Haven’t you seen an erosion of dedication in our school system?
VA: Oh much to my --
CE: Horror.
VA: Great horror.
AK: Too bad.
CE: My sister has spent thirty years as a teacher of French and she has noticed
that and she is so grateful to have taught in a period where the discipline
and dedication were still high. When you were -- Going back just a moment to
Alameda High School, what is your judgment in retrospect of the education you
were given at that time? Going to Alameda School, was it good?
VA: Very good, very good. A remarkable group of educators on the faculty. Oh,
I can, I look back on them. In fact my friendship with one of them, a lovely
one during my life, she was the botany teacher, a Miss Sue Dyer, who was, incidentally,
Mrs. Hoover’s great friend, and Miss Dyer used to visit the Hoovers in
the White House and so forth and she had a fine influence on my life. And also
I mustn’t neglect to tell you about my eighth grade teacher, Gertrude
Trainer.
CE: Gertrude Trainer?
VA: Gertrude Trainer, whose niece is Helen Putnam who was the Mayor of Petaluma,
and I knew Helen when she was a wee one. And her aunt was -- oh I think influenced
more, she was a regular Ruby Scott of Alameda. This Ruby Scott who used to be
of course Mrs. Candid Tamalpais with whom I had a lovely visit, she used to
be in Berkeley. Miss Trainer molded many, many lives I can tell you. In fact
I know the teachers in my life really had more influence on me than my parents
did. Really did.
CE: Well tell me, Valerie, you took the Ferry from Alameda to the terminal,
then how would you -- Where was the Normal School then?
VA: Waller and Buchanan. And then we took the Haight Street car. Got right off
the corner and there we were.
CE: Now how old were you when you went to that school? I’m trying to figure
this in with the earthquake and fire. You were about fourteen when the --
VA: About thirteen I think.
VA: Fire and earthquake, yes, in 1906.
CE: So it was four or five years after that, I presume?
VA: Oh yes and then I graduated in -- And then I didn’t attend the Normal
when I first graduated; I went back to the high school for six months because
I wanted to take a post graduate course in a particular area of English and
all, so for six months I didn’t go. Then the group that was behind me
and all of us went together. We were all pals you know.
CE: All right, during those years, what was the time required of you to attend
the Normal School prior to getting your credentials to teach?
VA: Two years.
CE: Two years.
VA: Yes.
CE: All right. Now, what, who made the decision for you to come to Marin County?
Did you put out certain requests of areas you would like to teach? Were they
more or less honored by young teachers?
VA: Doctor Burke would give us listings of vacancies in our area or in the state
of California. Anyway, he would expect you to accept --
CE: Wherever --
VA: Wherever, he was --
CE: That’s the way it should be.
VA: Oh certainly.
CE: They should have control of it.
VA: Certainly, and he was really very adamant about a teacher taking a country
school for at least a year, and I think that is the greatest experience any
teacher can have, the so-called country school, and thank goodness I had that
experience. I taught in Tomales my first year.
CE: How did that happen? You got word -- this vacancy?
VA: No, I had a whole list you know of vacancies. I can remember Rio Vista and
all kinds and my father was so disgruntled with me because he wanted me to teach
in Alameda. He knew everybody there and everybody knew us, you know, and he
wanted to use a little influence, which he had, and I said no. I’d been
so impressed with Doctor Burke’s great professionalism and he frowned
upon anything like that. “Oh,” he said, “don’t let the
judge or the doctor get you to --” Oh I would feel that I was a sinner
if I had done anything like that, but as I say my father was very disgruntled.
However among my friends at the Normal whom I met was a darling girl and she
said to me one day, she said, “I want you to go up to Tomales (she was
reared there) and I want you to go see my uncle. He’s the trustee of the
elementary school. There’s going to be a vacancy. Nobody is supposed to
know it but I know it.” And she said, “I think they’d like
you.” And she --
CE: Could you tell us who that woman was?
VA: Yes her name was Hazel Bailey.
CE: Hazel Bailey.
VA: Yes Hazel Bailey and her family were old pioneers. Well that was her mother’s
married name but her mother was a Guldager and the Guldagers were pioneers of
Tomales.
CE: Oh yes. Well how did you get up there?
VA: I went on a train, a little narrow gauge train.
CE: Tell us how you got there. You took the Ferry to San Francisco --
VA: Oh yes.
CE: Then to Sausalito --
VA: To Sausalito which I did for one year then afterwards I can see myself running
for that train. But anyway, the woman who was the principal of the school, it
was a two room school, was a Mrs. Daisy Lawton. Also a remarkable educator.
I was just so lucky in these people in my life. These truly fine educators and
Mrs. Lawton met me and she had a little buggy and horse, you know, and she drove
me to the different ranches because with the exception of one trustee, these
man were ranchers. In fact they were cattlemen. And I went to see each one of
them.
CE: Do you recall some of those names?
VA: Oh I certainly do, I’ll never forget them.
CE: Could you share them with us?
VA: Yes. One of them was Mr. Mitchell, Mr. William Mitchell, and one of them
was this Mr. Gulgader, Hazel’s uncle. And then one of them was Ed Cornett,
he had the big merchandise store, and he looked like Abraham Lincoln. Oh what
a wonderful man he was. And then there was Matt Clark and his daughter, a widow,
who was incidentally, in my first grade and a darling little girl and beautiful
child and a very remarkable pupil she was. She is a widow and she married into
the old Maggetti family and she lives in the family home now in Tomales and
never had any children.
CE: Were any of the Marshalls --
VA: The Marshalls.
CE: Name sound familiar to you?
VA: The Marshalls, yes, one of them was -- Let’s see, one of them was
Grace, Grace Marshall. She was I think a Darwington and then yes a Marshall.
And then of course --
CE: Burbank?
VA: Oh yes the Burbanks, and they were out at -- near Fallon.
CE: Fallon, yes.
VA: Oh yes.
CE: David Burgess Burbank is one gentleman we’ve interviewed.
VA: Oh have you? Yes I knew him. I don’t know whether he’d remember
me or not.
CE: Of course he would.
VA: Oh I don’t know.
CE: He told us about his Uncle Luther Burbank living on the ranch for a year
before he went to Santa Rosa.
VA: Oh really? Oh that was fascinating.
CE: This woman took you around in her rig and introduced you to the ranchers.
VA: Yes. And I can see Mr. Mitchell’s wife, oh she was -- Several of them
from the north of Ireland and they were very good Presbyterians and they were
just -- oh they were darling. I can see Mrs. Mitchell, a dainty little woman,
and she came in on the interview, when I was presented to Mr. Mitchell, and
believe me her voice was the law with Papa. He was this big, big six footer
and here was this little woman and she was rocking in this chair, back and forth
and back and forth, and taking me in, you know. And often when he’d ask
me a question then she’d have something to say too, you know, and if I’d
answer then she’d ask me a question.
CE: Would they serve tea, coffee or anything? Or do you recall?
VA: I have an idea. It seems to me everywhere we went we were offered something.
CE: Offered something.
VA: Yes, always. Very hospitable.
CE: That’s what we’ve discovered in going out to West Marin. Wherever
Mrs. Kent and I go they just give you homemade pies or cakes or something and
coffee.
VA: Oh yes.
CE: You can’t refuse; it’s so delicious.
VA: No you can’t. And so when we were ready to leave she looked at her
husband and she said, “I like that girl. I know that she’ll do a
good job.”
CE: She placed her endorsement.
VA: Yes, right away. So the fact of the matter is I did receive the appointment.
I can remember the first day of school. I had the first four grades in the lower
part. It was an old fashioned school house which isn’t there now with
the downstairs and the upstairs and the bell in the belfry.
CE: Oh yes. Well tell me Valerie, how many students would there be in that school?
VA: I had about -- there were seventy or so there.
CE: And you were responsible for the first four grades.
VA: First four grades, yes. And Mr. Davidson, God love him, was the County Superintendent,
a remarkable, remarkable gentleman and he used to really supervise us too.
CE: All right now, back up just a moment Valerie. Give us the year when you
started, in the fall?
VA: August. We started in August. We didn’t have three months vacation
because of the climate and because many of the children helped in the fields
and the dairy.
CE: Dairy?
VA: In the fields and the dairy. You used to know exactly. We had one month
in -- I think we had July off and we had December off, something --
CE: Something like that.
VA: Yes.
CE: And what was the year, do you recall?
VA: Yes I do. It was 1913 to the summer of 1914. And then in the fall of 1914
I came to San Anselmo.
CE: I see. What were the subjects you taught in those first four grades?
VA: Reading writing and arithmetic, geography per se, not social studies, and
history and all of those basics. And we had a lovely time with our music. And
we used to do musical games in those days. Mrs. Lawton and I would put on two
performances I think while I was there for the townspeople and the town hall
you know and so forth and so on. And as I say, I was so fortunate to be under
that remarkable woman. During my year there Mrs. Lawton became very ill and
needed surgery and so the trustees said to her, “Would you recommend Miss
Ansel’s taking your position in the fifth, sixth, seventh and eighth grades
and having her, or we will obtain a substitute and letting her run the school.”
And Mrs. Lawton said, “Yes I would trust her implicitly.” Now think
of that for my first year!
CE: For your first year. And when did this happen, half way through your term?
VA: Yes, half way through.
CE: That would be around Christmas time?
VA: Yes. It was quite an experience. However if I look back I know it was the
thing that made my future in San Anselmo. But everyone was so helpful. And I
roomed with a very wonderful girl, Grace Morton, my good friend.
CE: Grace Morton?
VA: Grace Morton, yes.
CE: In other words you stayed there, in Tomales --
VA: Yes we stayed there. We roomed with one woman and then we had to go to the
Pint House for our meals.
CE: Was that a restaurant?
VA: A hotel that had a restaurant. And this woman was such a gracious Swiss
who ran it, a Mrs. Piezzi, and what a good friend she was to the teachers. And
she was so good to us --
AK: What was her name?
VA: Piezzi, P-I-E-Z-Z-I, just a wonderful woman. And so the thing was, Grace
was teaching out at Dillon’s Beach; she walked to that school every day.
CE: From Tomales?
VA: From Tomales, three miles out and three miles back. Oh yes, oh yes. And
so she had all her plans and so forth because she had eight grades, you know,
and so we worked every night and she worked with me and so we planned -- and
Mrs. Lawton left everything so wonderfully, you know. It was a wonderful experience
but a task that really kept me on my toes every minute.
CE: Would the youngsters in those early days of the 1900s, would they be involved
with homework to the extent of many hours that goes on today?
VA: Not many hours but --
CE: But they did --
VA: They did and there was no fussing about it because they did it.
CE: They did it.
VA: Yes they did it, absolutely.
CE: Why has history as a subject seem to have eroded out of present day teaching?
It’s a most important thing, one of the most important subjects for a
youngster to learn. To learn about the other cultures of the world, learn about
our own history, our own beginning.
VA: Especially about honoring and loving this wonderful country of ours, oh
gracious.
CE: And geography, why did geography distort itself into social studies?
VA: Well, through some of these college professors who, as people know as a
rule have not -- this is one of my theories anyway.
CE: Yes.
VA: But who have not earned too much money as teachers in their profession,
those men, especially the men, would often write books in order to receive extra
royalties, you know.
CE: Oh, publish or perish idea, of this school.
VA: And so just as this new math came into being, some professor needed, I think,
extra money and devised this very ridiculous method which is being more or less
cast off by many, many schools.
CE: Well the same as teaching language in the language laboratory, you had this
elaborate machine system. There’s no shortcut to learning a language.
You have to stick with it, learn the verbs --
VA: Exactly, and you have to know your English grammar.
CE: Well I understand that McGuffey Reader is having a revival in some of the
schools, particularly in the central states.
VA: I had a set of those and I gave them to Virginia Keating.
CE: Oh, did you?
VA: Yes and I guess that they’re -- I hope that they’re reposed
in the --
CE: California Room, perhaps.
VA: I hope so.
CE: I think they’re in a locked case, the locked case of the California
Room.
VA: I hope so.
CE: We’re going to the library this afternoon; we’ll check that.
AK: You know that Three R School uses them entirely.
CE: Well don’t you think they’re still good?
VA: Oh wonderful, I certainly do.
CE: Don’t you feel it’s still paramount for a youngster to be able
to write an essay, express himself, be able to do fractions, simple arithmetic?
VA: I’m with you 100 percent and more.
AK: Yes, yes.
VA: But the thing was -- and I do believe that somebody thought that combining
geography and history, I don’t know how anybody could think you could
do that, but this business of doing that and calling it social studies and units
of work and so forth. But anyway it came into being and some of the superintendents
and we went to a big institute, a convention once a year, which is held --
CE: And they bought the package.
VA: And they bought the package. That’s just exactly what happened.
CE: And then once it gets indoors all of the schools are saddled with it; they
have to go through with it.
VA: And ask any child, “Where is Vladivostok?” and he looks at you
in blank amazement, he hasn’t the slightest idea.
CE: For history I read in the Saturday Review of Literature the other week,
that this young boy was asked to do an essay on one of our presidents, Hoover.
He went into the library and was looking up the F.B.I. Hoover! He hadn’t
even known who Hoover was. Now that is --
VA: That is pathetic, you see.
CE: This is a twelve year old youngster!
VA: Yes, exactly, yes.
CE: Well, Valerie, you weathered the added responsibility obviously of Miss
Lewis’ absence and you concluded your contract --
VA: Mrs. Lawton.
CE: I beg your pardon, Mrs. Lawton. And you concluded, fulfilled your contract
and what happened then?
VA: At the end -- towards the end of the year, Daisy Lawton said to me, she
said, “I’m going to make -- I want to have a little talk with you.”
She said, “You’re doing a very good job for us and I’m most
pleased and satisfied with your work and the parents are also very much pleased.
But if you stay here you’re just always going to stay here and you’ll
probably marry one of the local boys and so forth.” And she said, “I
want you to do more than that.” And she said, “You’re particularly
gifted in teaching phonics.” And of course phonics was the big word of
the day.
CE: Explain what that is.
VA: The idea of learning to read through this method of sounds and breaking
up words into the smaller words and so forth.
CE: Mrs. Kent, I notice, is nodding approval.
VA: See, that’s another one of the things that never should have been
given up.
AK: Yeah.
VA: However, that too is coming back little by little.
CE: Isn’t it strange and then they rediscover it as if it were something
new. Why does this happen in so many fields in life? You go to an extreme and
then you come 180 degrees back and full circle.
VA: And that reminds me of my beloved Mr. Thomas, who was the District Superintendent
under whom I came when I came to San Anselmo, and you’d be in a meeting
and something would be bothering or something and he’d look at you in
that calm way. You knew Mr. Thomas?
AK: Yes.
VA: Oh, what a wonderful man. And he’d say, “Always remember the
pendulum swings back and forth so don’t get too upset.” I’ve
often thought of that, you know, many, many times.
CE: Is it because each succeeding generation has to try it their way?
VA: I think it’s possibly -- it’s part of the American adventure,
you know. I really do.
CE: Desire to improve, to expedite, to cut corners if possible?
VA: Yes.
CE: But there are certain basic things that --
VA: So she said, “Mr. Thomas in San Anselmo is looking for a primary teacher
and he wants someone who understands and will teach phonics.” And she
said, “I’d like you to apply for that position because she said
I’ve talked to him about you” and so forth and so on and before
you knew it that position was mine. And I have often thought because you know
I’m on the stout side, I wasn’t as stout then as I am now, but anyway
I’ve often thought if Mr. Thomas had seen me and interviewed me I never
would have gotten the position because he didn’t like fat girls. So --
CE: Valerie I must ask you for future historians’ benefit to share with
us the amount of money you were paid as a contract for teaching in those days.
Because all the teachers today are so concerned they are not getting paid enough.
VA: I received in Tomales that first year, I received $75 a month and that was
for the months I taught.
CE: Yes.
VA: Not $75 for the year.
CE: Not July or December when you were off.
VA: Yes. Then when I came to San Anselmo I think I was to receive $85.
CE: Well tell me out of that $75, when you were living in Tomales, you were
able to support yourself?
VA: Yes, yes.
CE: Did you have any extra money to buy any clothes or was this just bare existence?
Could you --
VA: You see when I started out I was well clad. My mother had seen to that,
you know. It doesn’t seem to me that I had to buy many things and in Tomales
a simple little -- I wore the little cottons, the little summer dresses and
so forth and so on. The people of the town gave me a very lovely going away
party as it were, presented me with the loveliest pin which I’m sorry
to tell you, and I loved it so, it was stolen.
CE: Oh my gosh.
VA: A pin, a lovely pearl pin. It was such exquisite taste and I just loved
it. Yes it was stolen on a ferry boat by the way.
CE: Would you go home often on weekends?
VA: Oh yes.
CE: Every weekend you went home?
VA: Oh not every but often yes. Because I was invited to go to the different
ranches for the weekend and so forth and so on you know. And the woman who was
the postmaster there was a very wonderful woman.
CE: What was her name?
VA: Mrs. Dickinson. And they were pioneers of Tomales. You remember the Dickinsons
don’t you?
AK: Yes I do.
VA: Oh yes and she was a Mills graduate and she was just -- Oh and I used to
spend a great deal of time with her and they had a lovely old home filled with
antiques and I used to stay all night. She used to have me to dinner and so
forth --
CE: Well you weren’t living in a cultural void at all, were you?
VA: Oh no I should say not because there were so many, not so many but a number
of these people that made you welcome and with whom you could fraternize.
CE: Was this the Dickinson family, the one who had the son Bray who became a
railroad enthusiast?
VA: Exactly and Bray used to take me out, you know, take me to dinner, you know.
In fact, Bray -- It was supposed at one time that Bray and Hazel Bailey were
supposed to, well, they did go together but something happened. I don’t
know but they were supposed to --
CE: They didn’t get married?
VA: They were supposed to be married but they remained good friends always.
And so Bray was very good to me and we remained friends always until his death
and I used to go up and visit him and his wife when he finally married. I used
to stay there.
CE: During your tenure there, had any of your neighboring ranchers, had any
of those men been on the Board of Supervisors at that time? I know James Marshall
was at one period --
VA: Henry Darby was the great supervisor. He built a very modern lovely bungalow
in Tomales for himself and wife. Oh what a wonderful couple. And I used to sit
on that porch with him. I’d pass maybe on a Saturday morning and then
he’d hail me, and then he’d tell me so many interesting things about
this county and so forth and it was just wonderful. And he was a north of Irelander
and what that marvelous accent that they have and we just -- people worshiped
him, just worshiped him; he was wonderful.
CE: Don’t you think Tomales and the area and the bay and what is now the
Point Reyes National Seashore, that beautiful view. It’s a beautiful part
of the country.
VA: Yes, very lovely. And Henry Darby used to say, “You know Miss Ansel,
it would be wise for you to stay around here. You know the people here are very
healthy.” And they were, you know.
AK: That’s right.
VA: And I’ll tell you somebody too who was my great friend, my guardian,
was Hazel’s grandmother, Mrs. Guldager. Oh did I love that woman.
CE: Guldager.
VA: Guldager, G-U-L-D-A-G-E-R, and her son was my school trustee, you see.
CE: I see.
VA: And what a darling woman and she had such a charming cottage and she had
me to dinner a great deal and she was one of the people in the town who had
a bathtub.
CE: Uh oh.
VA: There were many pianos in the town but few bath tubs. So I used to take
my bath --
CE: Down there.
VA: At Mrs. Guldager’s, yes.
CE: When they would have the Board of Trustees meeting in the school district,
would you be present?
VA: No.
CE: No. Can you recall any problems that came up or concerns that reflected
itself in whatever you taught?
VA: Yes I can. I don’t know, not about what I taught but one of the children
in my class, we’ll have him nameless because he might be living now, was
a spoiled momma’s boy. A little boy that was, oh I can see him yet, he
was a pale -- and these other children so rugged and all -- and he was a pale
little fellow and his mother just had a grip on him. But nobody else could tell
this youngster what to do in any terms you knew, and I dared to discipline him.
And --
CE: Word got back --
VA: Oh she was just -- She was going to have me fired. She went to Ed Cornett
and she went all around and she was going to have me fired. I can remember the
first day of school, Miss Ansel walking to school with Mr. Cornett, her wonderful
trustee, and the children following us. You’d think it were the Pied Piper
of Hamlin you know and on the way, and I hear his voice yet, he said, “Miss
Ansel these kids are wild and there is a shillelagh in your room and do not
hesitate to use it.” How do you like that? And so discipline was required
because it happened that some of the teachers didn’t feel about discipline
the way we did but we brought everything in to -- Mrs. Lawton was a fine disciplinarian,
so it worked very beautifully and it was --
CE: Well anyway, when this spoiled darling’s mother came and reported
this action to the board, they supported you.
VA: Oh yes, they supported me. And when it was time for me to leave, believe
it or not, this woman headed a group of citizens and they got out a petition
for me to stay and they would raise my salary $10.00.
CE: And you continued your same treatment of this little youngster and it probably
did him some good.
VA: Oh yes, because I felt that I was being fair and square.
AK: I bet he was a good friend of yours before you left.
VA: Yes he was.
CE: Did you ever follow his career? Did he develop in --
VA: No I never did.
CE: Stay in the community?
VA: I never knew what became of him. Some day when I go up to Tomales, which
I do occasionally, I’ll find somebody that maybe the Parks can tell me.
Roy Parks is, was Mr. Guldager’s grandson and Roy is a great gentleman.
He has a lovely ranch out there and he and his wife are the nicest people you
ever knew. Some day I’m going up to stay at the ranch for a couple of
days and I’ll get caught up again.
CE: Well these are wonderful tales. Now let’s get to San Anselmo then.
Wade Thomas didn’t see you. You were hired without his observation.
VA: And so --
CE: How many teachers would there be in a school the size of San Anselmo?
VA: We had six then.
CE: Six?
VA: By the time I left, of course, there were new buildings because that building
has long since been destroyed and newer ones built. That little school that
is there now, is the third one.
CE: But you taught in the original school?
VA: Yes.
CE: I’ve seen photographs of it, wooden.
VA: Yes, wooden, two story, yes.
CE: And that was torn down mainly because they thought it was a fire hazard,
was that not true?
VA: No, I don’t think so. I think it was because they -- We needed more
room. There were more children. They needed more teachers. We had ten teachers
by the time I left and we had manual training and, you know, that kind of thing.
CE: What were the subjects you taught then, when you went to the new school?
VA: The new school I -- The strange thing --
CE: The San Anselmo school, I mean.
VA: This is something strange too. The woman whom I was to succeed chose all
of a sudden not to retire, not to resign. She was to go to Oakland to teach
and she was a wonderful teacher. And so what to do with me, they didn’t
know. So the District to this day still owes me a month’s salary because
I was dunked. And I forget I think I helped the other teachers and went into
the other rooms or something because Mr. Thomas was quite embarrassed at the
time. She finally did leave and so -- Then I took over this -- It was a mixed
class of, I think, there were some high third graders and fourth and oh, you
know, there was no saying, “If I have more than twenty-five I can’t
teach,” you know. Oh I think I had at least forty children in my class.
And I can remember that fourth grade so well because some of the youngsters
whom I had in that class grew up and married, you know. I had several of that
kind of thing, children meeting in my school and then growing up and --
CE: Is that right?
VA: For instance Virginia Stewart who was our librarian down here, she was Virginia
Richwagen and she and Coulter Stewart met in my eighth grade and they went to
high school and they married, and I have several of those. And in my fourth
grade little Edna Wessel, I can see her yet with the big red bows on her head,
and her husband Bill Wessel or Anselm, because his name was A-N-S-E-L-M and
my name was Ansel and he went home the first day and said to his mother, “Oh
you know I have the best teacher, she’s my cousin.” And his mother
said, “What do you mean she’s your cousin, we don’t have any
cousin who is a teacher.” “Oh yes,” he said, “her name
is just like mine.” And so to this day he always calls me his cousin,
you know.
CE: Was Donald C. Perry one of your students?
VA: Not at that moment because he was in an upper grade, you know. But I used
to go into the upper grades too sometimes. One of the teachers would teach music
in a certain class and then I’d relieve her and do literature or something
like that. But I did have his brother later on in school, the one, Malcolm,
who’s dead now, and I taught his sister Esther too. In fact the year that
I retired, seventeen years ago, I registered my third generation of papers.
CE: Did you?
VA: Yes.
CE: Isn’t that wonderful? Well, we had the pleasure of interviewing him
and two of his living cousins, all of whom are great grandsons of James Ross
who was the --
VA: Oh yes and I taught all the Beales children.
CE: Did you?
VA: Oh yes.
CE: John Thomas Beales.
VA: Yes, and I wish to tell you that their mother, that Mrs. Worn --
CE: Louise?
VA: Oh what a -- Her mother, Louise was Mrs. Beales, but her mother Mrs. Worn
who had a charming house where those apartment houses are --
CE: 39 Ross Avenue, what a wonderful --
VA: Oh and was she an inspiration to me. I used to go and have tea with her
after school. Things were much more leisurely of course in those days. John
was her beloved grandson; she loved John.
CE: Really?
VA: Yes and he was in my class. We had a fine rapport, that child and I.
CE: Are we talking about John Thomas Beales?
VA: Yes, who lives in Oakland.
CE: He lives in Piedmont Bay. We interviewed him also and you know what he’s
done, which will interest you Valerie, since his retirement from the telephone
company he has been doing the research on his family. He is very historically
minded. And he has spent days and weeks in the Recorder’s Office for this
reason. He was curious to know what happened to the 8,800 plus acreage that
his great grandfather acquired, the Rancho Punta de Quentin. How come 100 years
later there’s not one piece left? So he has done a great thing and he’s
written the saga of the Rancho Punta de Quentin.
VA: Oh isn’t that something?
CE: And he gave us a lecture --
VA: Oh yes, and I knew her mother too.
AK: Did you? Oh you do. We’re going to get her story one of these days.
VA: Her mother isn’t living any more.
AK: No but she’ll have to tell us herself.
VA: She’ll tell you and give her my love,. Oh I just love that girl.
AK: Yes.
CE: Well now, there were, naturally, quite a few homes in San Anselmo but not
to the extent today. One of the big edifices of course was the San Francisco
Theological Seminary.
VA: Right.
CE: You have perhaps seen early photos of San Anselmo, have you not? The California
Historical Society has a large collection of them and recently I heard from
the librarian at the San Francisco Library, Miss Pallow I believe her name is
and Jackie Mollenkopf. They are trying to get copies and have them blown up
and put in the library to show early photographs of this area.
VA: Yes that’s right, yes. And I know they’ve asked me to hang onto
my old class pictures because -- And I have them down in the garage.
CE: Yes. You do have those?
VA: Many of them and I am going to give those to them.
CE: That would be wonderful.
VA: Yes.
CE: Do you have any identification of the students? Is that possible that you
could --
VA: Yes I’ve written on many of the backs of them.
CE: That is so important Valerie, if you could do that.
VA: Yes, yes they’re there. The children wrote their names themselves.
CE: We’ve interviewed Dolly Jenkins who was Dolly Cushing.
VA: Oh that was the most -- Was that your interview in the newspaper?
CE: No, that was one that Jack Mason did.
VA: I just loved that --
CE: Dolly is a wonderful gal.
VA: Oh of course she is.
CE: She lent us a photograph last week of the entire class of San Rafael High
School in 1905. There were eighty-four people in the photograph. She can identify
every one of them.
VA: She’s a remarkable person.
AK: Even though she was there only a short time?
CE: Yes. She’s an extraordinary woman.
VA: You know Mrs. Papawood?
AK: Yes.
VA: Well Vera is a very intimate friend of mine.
AK: We have to do her too.
VA: Oh she’s a love. Oh yes, you must do her.
CE: Where does she live dear?
VA: She lives at 845 Belle Avenue, San Rafael.
CE: Mrs. Kent, make a note of that.
AK: Yes.
CE: Well let’s get back to you Valerie. Now in school I understand that
you were terribly interested in music and you wanted to have your students acquire
a music appreciation. How did you deliver this? How did you go about creating
this sort of climate for them?
VA: Through records.
CE: Through records.
VA: Yes, through records. And I have them all.
CE: Did you encourage their participation in symphonies, concerts? Tell us about
this.
VA: Oh, yes. I took the children, after preparation however.
CE: You would first study a piece of music and the composer, listen to the record?
VA: Oh yes, for weeks on end, I would. And Mr. Thomas loved music.
CE: It seems to me you were way ahead of yourself in this area. It’s more
acceptable now but that was quite an innovative thing.
VA: We had a budget of course and people would be gracious enough to donate
lovely records and all. I can remember Beth Kaufman sending us some of the most
beautiful records. I had her youngsters in school. Well you interviewed Beth
Kaufman, didn’t you Mrs. Kent?
AK: No, we didn’t. We ought to but we didn’t.
VA: Oh yes, she lives down in Greenbrae. But anyway, yes, Beth should be interviewed.
CE: Put that down, Mrs. --
VA: And we prepared this kind of thing. Alice Seckles who was a -- what would
I call her? In San Francisco she brought many of the finer --
CE: Impresario?
VA: Yes, I would say.
CE: She arranged concerts too and bring people --
VA: Yes, yes because I remember hearing Yehudi Menuhin as her guest. He was
a child that she practically promoted you know and I can remember that. She
would get the tickets for me and I would take these youngsters; I would take
as many as fifty. Nobody else with me, none of the mothers or anybody --
CE: Fifty?
VA: Fifty youngsters. We’d go over on the ferry --
CE: Go on the train and over to the city --
VA: On the train and on the ferry and get to the terminal and then I’d
say to the starter, “I have a group of fifty children and we’re
going up to the Curran or wherever, where the concert was being held and –
“
CE: Would this be on a weekend?
VA: A week day, school day.
CE: A week day. That was the project for the day.
VA: Oh yes, a project. “And could we please have a car?” And he’d
arrange it all and we’d get in that car --
CE: Take the entire car?
VA: The entire car and these youngsters in it and I never had to worry about
the discipline or anything like that because we had talked things over and I
said, “Of course if anybody doesn’t enjoy it he needn’t go
next time or if he is out of line in any way then I will say he may not go.
Now it’s up to you if you like it we’ll always do it and we did
grand opera too that way.” We went to grand opera.
CE: You did?
VA: Oh yes, oh yes.
CE: Where was the Opera House then, on Mission?
VA: No. Where was -- Where did we have grand opera? Not in the new Opera House
--
CE: That was built in about 19 -- early 30s, but I was wondering --
VA: Now where did we go?
AK: Don’t look at me, I don’t remember either.
CE: Well the old Opera House was on Mission around the corner from the Palace
Hotel but that was too early.
VA: Yes, but that wasn’t the one. No I’m trying --
CE: Well it’ll come to you.
VA: I wonder if it wasn’t in the Civic Auditorium.
CE: Could be, could be.
VA: Yes and of course we would always prepare for that too. And I didn’t
invite them to hear Wagner because we took care of that through “The Barber
of Seville” and “Carmen.” The things that were flashy and
had --
CE: More melodious.
VA: Oh yes, more melodious and much action. We did “Aida.” Oh they
loved “Aida” all of that kind of -- and then led them into it gradually.
CE: Wagner would be too slow moving.
VA: And they’d hate it and they never ever want to go again.
CE: Very smart, gave them a taste of the palatable operas.
VA: Yes, yes.
CE: Oh that’s wonderful. Did any of your musical -- Did any of the students
as a result of your exposing them to music follow music as a career to your
knowledge?
VA: I don’t think I could exactly say that.
CE: Exactly say that.
VA: There were so many children.
CE: But you certainly enriched their lives by this wonderful exposure.
VA: Yes and I’m pleased to tell you sometimes on my cards now, at Christmas
time, and usually the boys. It’s the strangest thing this thing reached
the boys, much more than it did the girls. I mean their reaction, even to this
day that I get will be from the boys rather than the girls.
CE: Well of course we’re on a property that belonged to the Heckscher
family, how did that come about? And the son is still playing at the Fairmont
Hotel, his wonderful orchestra. Did you know Mrs. Heckscher quite well?
VA: Oh did I know her, that’s how I happened to come here because she
wanted me to. There’s a lovely picture of her incidentally.
CE: Where, dear?
VA: This photo right here, this snapshot.
CE: Oh yes.
VA: Marvelous, marvelous woman.
CE: Well she has a beautiful estate here, right next to the Robeson Park.
VA: Yes. And on November 1, I will have been here 33 years.
CE: Did you walk from here to school every day?
VA: Oh yes, just down there.
CE: Just down there.
VA: And frequently stopped in at Beth Kaufman’s because I’d go early
in the morning because I had reports to do and so forth and then she’d
knock on the window, come in and have a cup of coffee before you go to your
office, and so we did.
CE: Those were happy days weren’t they Valerie?
VA: Oh lovely, lovely.
AK: My Tom knew Mrs. Heckscher very well. I don’t know whether --
VA: Yes.
AK: Or why --
VA: Oh yes she had all her insurance with him.
AK: Yes and oh they got along.
VA: Oh yes I should say so. But I do feel that this music appreciation gave
the children much joy really did.
CE: Well it enriched their lives.
VA: Yes, I think so.
CE: Well tell us Valerie how did it come about that you stayed so long? You
evidently enjoyed the entire arrangement didn’t you? And you remained
at that school forty-five years?
VA: Forty five years. And oh I must tell you also, just before I signed my contract
to accept the position in San Anselmo our good friend and my good friend and,
and a fine educator, Charlie Dufore, the Superintendent of the Alameda City
Schools sent word that he had a position for me.
CE: Uh oh, you were tempted.
VA: No, I wasn’t. I loved Marin County, I loved the environment and you
see that year had given me just enough of the adventure that I wasn’t
sure that I wanted to live at home.
CE: You didn’t want to go back in the nest.
VA: Yes.
CE: During the year did you have an opportunity to explore Marin, go up Tam
or --
VA: Oh yes, yes.
CE: Meet any of the Germans in the Alpine Club?
VA: No.
CE: But you explored it and you loved it.
VA: You remember the Schmidts, Mrs. Kent? Benjamin and Trix?
AK: Ben Schmidt? Trix?
VA: Well of course Trix Schmidt was one of my most intimate friends and they
lived across the street from us in Alameda and she knew me when I was knee high
to a grasshopper.
AK: She was darling.
VA: And she was a darling and she and Ben lived here. Incidentally you know
Ben became one of my school trustees and then he became mayor too in this town.
AK: That’s right.
VA: And I used to come sometimes weekends and stay with them and of course when
she heard that I was going to have the opportunity to come to San Anselmo, she
made life so gracious for me and introduced me to Mrs. Stratford and all these
people you know and so forth and --
CE: Go ahead, conclude your thought and then we’ll stop.
VA: And then which made me feel born here you see, so of course my father was
just delighted, you know, that I was going to teach in Alameda, and so I had
to go to see Mrs. Dufore.
End Tape 1, side B
CE: Well now tell me, Valerie, that kind of put you in the spot, what did you
do, follow your father’s wishes and go over?
VA: I went to his office and I -- We had a very nice chat, or course he knew
me growing up and so forth, and I said, in the course of conversation, he said,
“What do you feel you should do?” He said, “Because I have
the preference whenever a city --” In those days I don’t know whether
it was some unwritten law whether there was really some kind of agreement that
the large city or town should have preference over the country school I don’t
know. But he said, he more or less said to me, “I can break your contract
if, you know, because that’s my prerogative since I am the superintendent
of a large area.” and he looked at me, and I said, “Mr. Dufore I
promised that I would go to San Anselmo and I would like to keep that promise.
I would like to at least go into San Anselmo and be there for a year.”
And he said, “I’m proud of you. I hoped that would be what you’d
say.” He said, “You will go there with my blessings,” but
he said, and he took this card, my file card that had been the first one in
the draw, and he put it at the back and he said, “Now whenever you are
ready this card will come back to the pile.”
AK: Isn’t that nice?
VA: “And a position is here for you.” I never did.
AK: San Anselmo won.
CE: San Anselmo won out.
VA: Yes.
AK: That’s great.
VA: Yes and I never regretted it.
CE: Well now during this extraordinary tenure that you fulfilled, forty-five
years, in this particular school, were you changing classes?
VA: Oh yes, ever yes.
CE: Tell us a little bit how the complexion changed.
VA: Well certain teachers would leave, you know --
CE: And you would fill in?
VA: And Mr. Thomas would ask that maybe one teacher that he would feel should
go into that grade, and he’d say, “Would you take this grade?”
and so forth and so on. Incidentally one of my colleagues was Mabel Boick who
became Mrs. Fred Crisp, who in turn --
CE: Mabel --
VA: B-O -- Mrs. Landon’s sister.
CE: Oh yes. Ethel Landon’s sister.
VA: Yes and Mabel later married Fred Crisp who later became one of my school
trustees, you know, and whose children I taught.
VA: Yes right in Ross Avenue. And yes, so anyway, I went to their wedding and
so forth and it was very pleasant. That association has been all my life that
family; I’ve had a wonderful association. Then I went into the fifth and
sixth and then I went into the seventh and then finally into the eighth and
then for a time we had what we called departmentalized work, which I loved.
One teacher --
CE: Explain that.
VA: One teacher took the arithmetic through the sixth, seventh and eighth, another
one did the history and geography, as we had per se before it went to social
studies. And then the literary arts I had which included the spelling and the
grammar. Then as a special program I had the music appreciation in those classes,
you see. And that was very enjoyable.
CE: Was music appreciation an elective or was it --
VA: No you took it, I mean --
CE: It was required.
VA: It was required, yes. And if you didn’t enjoy, why, you got something
out of it.
CE: Well obviously music has been very dear to you in your life. Did you get
involved in putting on programs and contributing towards the musical part of
the programs as the years went by?
VA: Oh, not particularly I would say because we had wonderful women who had
our school orchestras you know. We had Berta Conward, remember? And we had this
wonderful Kathleen Small, who is incidentally one on my good friends. And they
had the orchestras and they would usually take care of that part of it.
CE: I see.
VA: We put on a number of performances for our parents during the year but not
necessarily that music was stressed.
CE: Now you were teaching, Valerie, in this school when our country entered
World War I. What was the attitude of the youngsters then? Patriotism wasn’t
a dirty word, was it?
VA: Oh, I should say not.
CE: As it has been within the last decade.
VA: Oh no.
CE: Did the school become involved in any way, helping in the war effort? Could
you describe some of those activities?
VA: Oh yes. I’ll tell you one of the things that was a great event. Do
you remember Madame Milton?
CE: Certainly do, taught French at Branson’s School.
VA: Oh yes, oh yes, wonderful. Well, Madame Milton and I were great friends
and she did a gorgeous piece of work, as you know, during that war especially
with some of the orphan children and so forth. She came to me one day and said,
with Mr. Thomas’ permission, that she would like to organize a sort of
auxiliary Red Cross in our school and involve the children to the extent that
they would feel they could contribute such as canned goods and so forth and
so on and that we would send our gifts to these children and so forth. That
became one of the greatest things that you could ever imagine. The children
--
CE: Really responded.
VA: Oh responded beautifully and at that time I had in my class, in my eighth
grade, one of Doctor Oxtoby’s boys, brilliant children. By the way, I
see the Oxtobys too. I have a lovely --
AK: There was something in the paper the other day --
CE: This is the dean from the Seminary?
VA: Oh yes, Seminary. And this boy’s grandfather had been President of
the Seminary but his father was one of the professors: Professor of Hebrew,
Greek, and so forth. And I had the three children, Gerdon’s three children.
And Gerdon, incidentally, was also a graduate from our school, so was his sister,
so was his brother. I had John too. I taught John and then had this second generation.
However, this young Oxtoby, a brilliant boy. In fact now he is an outstanding
professor in the University of Toronto and he’s done Sea Scroll work and
all that kind of thing.
CE: The Dead Sea Scrolls?
VA: Yes, the Dead Sea Scrolls.
AK: Oh you know he came with Betty Bechtel when Betty gave us the talk at Moya
Library on the Dead Sea Scrolls.
VA: Oh did he?
AK: Yes.
VA: Oh wonderful.
AK: In fact she let him do most of the talking.
VA: Oh yes.
AK: That really was something.
VA: This youngster put his whole heart and soul into this project. And he took
care of packaging when the children brought things and he printed all the addresses
and he weighed everything and he went to the post office and he made out all
the little slips that had to be attached and so forth, you know, because of
the foreign entry and so on. And the whole town became interested more or less
through these children but they never let it lag until we were not called on
to do any more, but it was a wonderful project. And then, of course, when the
tires were rationed and everything was rationed, my school became one of the
centers and that was a very -- a town effort. And the P.T.A., I must say, helped
me wonderfully, and we had to schedule different women at different times all
during the time to be on duty to take the numbers and to assign and that was
-- The teachers took part, the populace, and if we had to be open some nights,
the men and the fathers came in to help and we had a regular efficient goings
on there.
CE: Was the Parent Teachers Association very cooperative and active when you
were there?
VA: Very, very.
CE: Did they support the teachers?
VA: They supported the teachers and there was no interference; there was no
heckling or pettiness at all. They were very remarkable women in it.
CE: Today counselors seem to perform some sort of a function in schools. In
your lifetime of teaching were counselors, as such, separate people who guided
the careers of youngsters?
VA: In the high school area, yes.
CE: But not in the elementary?
VA: No, no. And we had no mother aides or teacher aides. However we did welcome
young women who were doing their practice teaching -- as it was called in those
days -- it’s called interning now, and we were happy to see them.
CE: Oh you had practice teachers?
VA: Oh yes, we had practice teachers coming in, yes. And helped them that way
because everybody has to get experience.
CE: That’s true.
AK: That’s right.
CE: I remember at the University of California my sister took her fifth year
to get her teaching credential and then went to University High School in Oakland
and did her practice teaching.
VA: Yes.
CE: It separates you right then. Some can’t make it.
VA: That’s right.
CE: Would it be difficult, Valerie, to quickly run through a typical day as
a young teacher, say one of those first years in San Anselmo? When would you
arrive at school for instance, when did school begin?
VA: At first I was not the principal.
CE: No, no, as a teacher. When would class begin?
VA: The class began at nine.
CE: And when would you get there?
VA: Before I was principal, I used to get there between eight and eight thirty.
CE: Get your room ready?
VA: Get the room ready and get the work on the board and all.
CE: Did you remain in that room for your teaching day or did you have to float
around?
VA: No, I remained, except when I was on yard duty. Each teacher had so many
days, so many hours of yard duty, you know.
CE: What was the attitude of your students towards punctuality? I mean, did
they have to be --
VA: They had to be there on time or a written excuse from the parent had to
come. That was demanded and the parents knew that and they responded to it.
You know that don’t you, Mrs. Kent?
AK: Oh, indeed, yes.
CE: There was a minimum of truancy, I presume.
VA: Oh absolutely.
CE: None of that.
VA: No, none. And of course Mr. Thomas happened to have his office in my building
always and --
CE: And he was in the Superintendent of Schools.
VA: Yes, he had Kentfield --
CE: Oh and his office was in the --
VA: Yes our school. Yes there was none of this hiring all these fancy places
for these men and he balanced his budget I can tell you that. He was never in
the red, never. But Wade Thomas was highly respected, he was a small man but
he was a man of few words.
AK: Yes.
CE: Describe him to us, if you would. Small in physique?
VA: Small in physique and a very serious type of person but when he smiled his
face lighted tremendously. He was -- He rode a bicycle in those days and delivered
books to the different teachers and all before he obtained his funny little
Chevrolet that he bought from Jim Leach, incidentally. Did you interview Jim
Leach?
AK: Not yet. He promises, then doesn’t keep it.
VA: Oh then doesn’t keep it. Oh he’s a dear, dear person. But anyway,
then the school let out about --
CE: Well did you have a recess.
VA: Oh recess, yes.
CE: Well for instance, you start at nine; you give a forty minute or an hour’s
class --
VA: Well in those days when we first started we didn’t have a recess every
hour. Afterwards, when we moved to the new building, we had a ten minute recess
every hour. But in those days we taught for an hour and a half or so and then
had a half hour and then went on 'til noon. And then you had from twelve to
one for lunch period and then about half past two you had a short recess.
CE: Was there a cafeteria as such in the old days?
VA: No.
CE: You brought your lunch?
VA: Yes.
CE: You too?
VA: Oh yes.
CE: Would you eat your lunch at the desk normally or would you go out and eat?
VA: No, the teachers usually ate together; eat in some teacher’s room
or something. I can see Mabel Boick and I eating together so frequently. And
there was a small room, as I remember you could make a cup of tea or coffee
and so forth. But sometimes the teachers did stay in their own rooms; some of
them had things to do and all. I can remember one teacher who commuted from
San Francisco.
CE: Ooh.
AK: Ooh.
VA: Yes.
CE: That was a chore. All right then you’d have lunch and you’d
commence class at one --
VA: Yes.
CE: And it would run until three, perhaps?
VA: Oh more than that. We got out later than that.
CE: Now would you remain at school and do some of your preparation for the next
day or would you immediately --
VA: Oh yes, oh yes, and probably have some children after school for one reason
or another, maybe for disciplinary reasons or maybe to help them.
CE: I see, and you would stay until that obligation had been fulfilled.
VA: Oh yes, oh yes. And when we went into the new building and I was in the
upper grades I frequently stayed until five or five thirty. Oh yes, yes. And
of course we didn’t have any buses then; there were no buses in the first
place --
CE: Yes, that’s true.
VA: And the children walked and many of them came from the Lansdale School which
ended at the sixth grade and came to us in the seventh and eighth and those
children walked or had bicycles. And mommas didn’t have all the automobiles
they have now you know and so that was all part of the day too, this walking.
AK: How about the May Day. They did take part in this?
VA: Oh yes.
CE: Mrs. Kent and I are very interested in that, as you know, because of her
family’s contribution of that land. Tell us your memories of May Day.
VA: I can remember one year, I think that was the war year, each school was
assigned to participate as a country. And I can remember one year, that year,
we had -- We were to be Belgium. And I know the Beales children were in school
at that time and Mrs. Beales and the Worn sisters were so wonderful with flowers
and Louise Beales took me and we went -- She used to drive the wagon and we’d
go out to Bolinas and that area and we -- I forget how --
CE: Drive the wagon? A horse and wagon?
VA: Oh yes, a horse and wagon to bring in plants or shrubs or wild flowers or
whatever. But she suggested, when we had a meeting, that we would have one of
your little girls as our lovely Queen of the Belgiums, who was so beloved at
that time, and her favorite flower, I believe, was the forget-me-not. And we
had a regular daisy chain, and Mrs. Beales made it, of these forget-me-nots
and then all of the youngsters in our school were dressed to portray the Belgian
just in a simple way you know and then we had our little Queen in the middle
and then they surrounded her with this daisy chain of forget-me-nots.
CE: Well we recently saw some photographs of -- Was it Jessie Hanna, Mrs. Kent?
AK: Yes.
VA: Oh Jessie, she died.
AK: Yes, she died. She died, believe it or not, in a very roundabout way. All
the things that she had saved from the old Tamalpais Center, especially the
May Day things, have come now to the Civic Center Library.
CE: California Room.
AK: We’ve got them in the California Room.
VA: How did you do it?
AK: Well we know --
VA: Because I corresponded with her. In fact she was gone and I was still writing
to her and it happened through a mutual friend. She lived in Channing House,
in Palo Alto, and I used to see her there, not too frequently since I don’t
drive, but whenever I was in that area I always saw Jessie. But just through
a friend, her nephew apparently wrote to this mutual friend and after two months
I found out that she was gone.
CE: Well this one book of photographs is all about the May Day.
VA: Yes.
CE: And it shows the various schools gathering --
VA: Yes.
CE: Gathering their little groups, with their teachers, and probably you’re
in one of these photographs.
AK: And not only that, Valerie, but she had saved all sorts of things including
every program beginning way back in 1909.
VA: Oh how wonderful.
AK: So we have those showing the people who advertised in them, showing the
Bon Aire Hotel opening that year in May and the beautiful picture of --
CE: And the gifts that were contributed Anne?
AK: Every detail of the whole programs, of all the gifts that were given as
prizes. Everything, even down to three legged races, potato races, and girls
doing such and such.
VA: That’s where the building of the college, the new building is.
AK: Yes, now the college has the -- where the gym is.
VA: Where the gym is, yes.
AK: And we have also an entire book of minutes from the old Centre because Mr.
Webb was the Secretary and some of these days we’re going to put one great
program all together and include all of those things.
VA: Oh I hope I’ll be there.
CE: Won’t that be something?
VA: Oh yes, that’s wonderful.
AK: Very, very good.
VA: Oh, wonderful, yes.
CE: Well you know, Valerie, Mrs. Kent of all the members of her family, in my
judgment, she’s really trying to do something concrete to preserve --
VA: Well she always does that.
CE: This wonderful story.
AK: Well people don’t even know what the Centre was.
VA: No.
AK: It’s so sad and when they just burned it down because they wanted
to build something of their own, not one soul said a word about it.
CE: Or stepped forward.
AK: And I always thought that they probably thought the Kent family did it.
I don’t know what they could have thought but anyway now at least we have
good pictures and anybody who has anything can give it to the California Room
up there at the library and it’s going to be known as another generation
anyway, very good.
CE: Well we need people to fight for things. To speak up, not to remain silent.
And I must say this, Mrs. Kent might be embarrassed but the other afternoon
we were at the Board of Supervisors’ meeting. The budget was being presented
and they wanted to close the library, Civic Center, Fairfax, Novato, and Corte
Madera, one day a week to save money. You should have heard Mrs. Kent get on
her feet, very quietly but strongly say to these people, “I’m perhaps
the oldest woman in this room. I wonder if you have any idea of how difficult
it was to get a County Library system established in 1925, ‘26 and ‘27.
How we fought for it. And here we are supposed to be the most affluent county
in the state of California and you want to close one of our greatest resources?”
Well after she got her little speech through you should have heard them all
clap, including the Board of Supervisors, and they didn’t close the library.
VA: Oh thank heavens.
CE: But you’ve got to be there.
AK: We just happened in.
CE: Just by a fluke.
AK: We didn’t know what was going on, we just happened to be going out
to --
VA: But they put themselves up for a wonderful raise in salary, haven’t
they?
AK: Yes, they did that. But that wasn’t the saddest part. The saddest
part was that Mill Valley, which is a fine library but is a town library, was
asking in this same budget, they were asking for a great deal of money.
CE: Thousands of dollars.
AK: Yes, because they said that they took care of some of the people who really
should be taken care of by the County Library.
CE: You know, Tam Valley and the unincorporated --
AK: Which was probably true but they didn’t need to.
CE: Well there was a taxpayer’s advocate there, Mr. Kelly, and he said,
“Well don’t service them if it costs you so much. Tell them to go
to the County.”
AK: They belong in the County.
CE: But they want that money.
AK: Yes. But just the same they did get theirs and I don’t begrudge them.
CE: But they didn’t get as much.
AK: No.
CE: Thanks to your presentation.
VA: That’s good.
AK: It’s all right to give it to them but not to take it out of the pocket
of --
CE: The County Library.
VA: No, no.
AK: That was all we wanted.
VA: Right.
CE: Speaking of libraries, Valerie, you have been Chairman of the San Anselmo
Library.
VA: For forty-seven years.
CE: Forty-seven years?
VA: I wasn’t the Chairman all that time but I was on the Board; but I
was the Chairman for years and years.
CE: Well you very recently acquired a very talented member, Jacqueline Mollenkopf.
Have you met her?
VA: Oh yes.
CE: She is a wonderful girl and she has been a great asset to us.
AK: Because she worked for the County Library --
CE: She was the main reference person at the County Library, you know.
AK: Yes and we needed her so badly.
VA: Yes, charming lady.
CE: Well, she still helps us. I go knock on her door in the morning before the
Library is opened around nine and she lets me in.
VA: When Lucy retires I know she’ll be our Head Librarian.
CE: Oh yes, she’s very clever.
VA: I’d go for it too, believe me.
CE: Yes. Lucy Posell. Is that her name?
VA: Yes.
CE: I’ve met her.
VA: Yes.
CE: Well you know what I like about Jacqueline? We’ve shared with her
any information we get. This is a little off, aside, but the California Historical
Society has a vast reservoir of photographs, as you know, and I spent a few
days over there recently turning up some outstanding ones on San Anselmo. And
I told Jackie about it and she took the negative numbers down and she’s
ordered some and they’re going to have them in the Library. They’re
knockouts, beautiful photographs.
VA: Oh good. Oh wonderful, wonderful.
AK: Isn’t it wonderful the way it all worked out?
CE: And she’s history oriented. We all helped each other.
AK: Everybody helped together. It’s good.
CE: All right now, let’s move on a little bit, Valerie. You told us you
-- When did you become principal? How did that come about? You taught for all
those years and -- Before we get to the principal part, were you able to travel
or do anything for yourself personally in the summer?
VA: No because -- not very much in the summer.
CE: Why?
VA: Because I wanted to -- I was anxious to get my junior high certificate and
I was anxious to get my administrator’s certificate and I took work from
Stanford and U.C. professors and so forth until I acquired both of those.
CE: So you were continually --
VA: Studying.
CE: And prepared yourself for --
VA: And of course again I must tell you in those days we did not have three
months vacation either, you know. We didn’t have that length of time.
That just has come -- Well of course it did before I retired but I mean that
--
CE: That’s a recent thing that evolved --
VA: That evolved gradually, yes. And so in that regard I had my nose to the
grindstone.
CE: Well, what year did you become principal then? How did that come about?
Who was the principal for those many years? Do you recall some of their names?
VA: Oh yes. My first principal was Mary Cooney. And incidentally her brother
Jack became my brother-in-law. A very, very wonderful man and she was --
CE: Did he have other sisters?
VA: I have one sister.
CE: No, did he have other sisters?
VA: On yes, oh yes.
CE: It seems that name is so familiar.
VA: Oh well it’s kind of -- It’s now as common as Smith but it’s
not very rare.
CE: No.
VA: Yes, his one sister, Katherine, in San Francisco was Dean of Girls for many
years in one of the schools and another sister, Alice, taught high school in
Booneville because they were Mendocino families, these Cooney’s. And then
the other sister did not teach, there were four sisters and about four brothers
and there’s just the younger sister left of all the family now. However
this Mary Cooney, she was as bright as a dollar and made a very fine administrator.
CE: Was she a product of the San Francisco Normal School, do you know, to your
knowledge?
VA: Yes, she was. But she had --
CE: Before you --
VA: Yes, but she took work too at Cal and Stanford and so forth. Then she went
in to -- In those days a written examination and an oral one both were required
to enter the San Francisco schools. I don’t know whether they do that
now with the way things are. However she passed on a very high scale and so
she went over to San Francisco and then became principal of Pacific Heights
School, so she left.
CE: Oh, I see.
VA: Yes, she left.
CE: And who succeeded her?
VA: Louise Chapin. And she was principal there for quite some time and then
Mr. Thomas’ wife’s niece, Miss Bowler.
CE: Bowler?
VA: Bowler, Merle Bowler, B-O-W-L-E-R. She lives, I think, at Chico. She’s
married however. And she wasn’t in very good health. So many times I took
over for her and so when her position was to be vacated she was leaving. Mrs.
Jones -- Jones’ mother was one of my trustees in those days.
AK: Doctor Jones.
VA: Yes. Doctor Jones’ mother, and she was a wonderful person. And she
-- I think I was up at Russian River with a friend of mine for a few days and
she wrote and said that she -- that the trustees had met and they wished me
to take over the principalship. Oh, that just knocked me over. Oh, no not again.
And I refused it and she wrote and said, “You just can’t refuse
it.” She said, “You do everything for the school. You practically
run it now.” And she said, “Why not get a little bit of money for
doing it?”
CE: Why did you hesitate, Valerie? You just didn’t want that total --
VA: I didn’t want that. You have to teach and be principal. That’s
a pretty hard thing you see, because I was a teaching principal for many years
before I became a supervising principal. Last five years I was a supervising
principal.
CE: But in your heart you were really a teacher?
VA: Oh, yes, that’s right.
CE: Administration was secondary.
VA: That’s right.
CE: But you gave it second thought, I guess.
VA: And so I -- and this friend of mine said to me, she said, “Oh Val
don’t be a fool,” she said, “You’ll probably get somebody
in there that’s unfamiliar with the school and you’ll only have
to coach him or her anyway.” And so she said, “Why don’t you
-- “
CE: And you get a little more money, give you $10.00 more a month?
VA: Yes, it was a very nice raise, yes, I was raised to $125.00.
CE: $125.00.
VA: But in the meantime I think we had gone up a few bits all along from my
$85.00. But anyway so I telephoned her and I said, “Yes, I would do it,”
and she was thrilled to pieces. At one time in my eighth grade I had all my
trustees’ children. I can see them yet. I had the Reeds’ girl --
CE: Well just a moment, let’s go into that in just a moment.
End, Side A
CE: Would you repeat the names again for us, Valerie?
VA: At one time in the eighth grade I had my trustees’ -- practically
all of them at one time. I had Charles Jones, whose mother was my trustee. I
had my boss, the Superintendent’s son, Wade Thomas Jr., he was in my class,
and I had Evelyn Reed’s and then I had -- there were one or two other.
Now let me think if I can -- I remember that but I can remember I put it down
in one of my notebooks because it was such --
CE: An unusual thing.
VA: Unusual thing, yes, to have had all of them.
AK: Such nice people.
CE: Of course they brought back home direct reports of --
VA: Oh, did they!
CE: How Miss Ansel was doing.
VA: Oh, well, and sometimes they didn’t like what she was doing either.
And I remember Mrs. Jones would say when young Charles would come home, “Well
how did things go today Charles?” Because Charles was very slow and methodical,
a very wonderful character. I taught Emily too, the daughter, and Ottiwell was
graduated from our school but he was in the eighth grade. I didn’t have
him at that -- Well he was in the old school. But Charles would say, “Well
the war was on today; the French and the German war was on.” Because you
see I had that French background and the German and if I was in he thought a
cross mood and was very much the disciplinarian, then the war was on, and that’s
what he’d tell his mother.
CE: Did they teach at that time any foreign languages in the elementary grades
as they do today?
VA: No.
CE: No.
VA: I’m just trying to think of -- Why didn’t I remember my other
trustees? Because Betty Schmidt went to Branson’s; she didn’t come
to our public school.
AK: Did Mabel Seamert, Mabel Jones?
VA: Mabel Jones was teaching also; she was up at the Lansdale; an old friend
of mine. Did you interview her?
CE: Yes, just briefly, but we have to do her in depth.
VA: Yes.
CE: Well, tell us, Valerie, what was some of your relations with the other schools?
You mentioned Branson’s a moment ago. Would you and Miss Branson ever
get together on mutual problems or events or affairs?
VA: Oh yes. They were very, very kind to us. Oh, of course, I adored that Miss
Branson. She’s a remarkable woman. She’s still living.
CE: Yes, we saw her last year.
VA: Did you?
CE: We visited her in Carmel.
VA: I think she’s wonderful.
CE: Well what would she do for you? What would the school do?
VA: Well, I mean, some of my graduates would go into Branson’s School
from the eighth grade, you see, and so we had conferences together and I knew
some of her faculty very well.
CE: Can you think of some of those names?
VA: Well huh --
CE: Well there was Madame Knowlton.
VA: Oh Madame Knowlton and I were very, very close. And who was that darling
little lady that did so much good and she got me to contribute to the Piney
Woods School, which I do to this day. Oh what darling little --And then Miss,
taught the Latin. What was her name?
CE: Hideman?
VA: Yes, Miss Hideman, I knew her too.
CE: What is the Piney Woods School if I may ask?
VA: It’s a remarkable school for colored children down in Piney Woods,
Mississippi. And this man, who was the founder, who died just last year, who
was way, way in his nineties, and she knew him and knew of his work and she
used to --She had many of join to send contributions ever so often.
CE: So the school would continue.
VA: Yes, continue, and it’s become a remarkable school. And that darling
little Miss -- Oh I can’t say her name and I just love her and I used
to see her too.
CE: What was the subject she taught? Maybe we can help you.
AK: It wasn’t Martha was it?
CE: Do you remember what subject?
VA: Howie?
AK: Howie”
VA: I knew her but she wasn’t one of my very close friends but this was
a little bird-like woman, she was just wonderful.
CE: Well then you had contact with the Branson’s --
VA: And then we had this parochial school come into being you know.
AK: Oh.
VA: The Catholic school.
CE: Oh yes.
VA: And I had very, very fine rapport with those nuns.
CE: What Order is that?
VA: Holy --
CE: Name.
VA: Names. Holy Names, yes. And oh those nuns. I still --
CE: Oh, we’ve had the pleasure of interviewing Sister Patrick who had
been president of Dominican --
VA: Oh, oh do I know Sister Patrick. Oh what a doll.
CE: And I think the contribution these women make is extraordinary.
VA: Oh that Sister Patrick she’s somebody else and also Sister Maurice
who for nineteen years was Principal of the High School area, Sister Patrick
was the college.
CE: The college, yes.
VA: Oh yes, and my girls, some of them, would be eligible and would be accepted
to Dominican. They felt that they were well-prepared and so I had very nice
contact with -- used to be invited to tea at the convent up at the --
CE: At the Mother House.
VA: The Mother House, yes, and so forth.
CE: Are there any students that you’d care to share with us that have
gone through your hands that you are extremely pleased with or happy -- with
all of them I suppose.
VA: Well, yes. Howard Brodie, for one, the artist.
CE: Is he a graduate of your school?
VA: Yes, and then he went to Tam, of course. But oh he’s a darling and
such a wonderful, wonderful man.
CE: Well what was the choice, either go to Tam or to San Rafael for high school?
VA: You had to be especially accepted at Tam because --
CE: At Tam?
VA: No at San Rafael because then the schools were district, were placed into
districts and you did not go over the border unless the doctors thought it was
better for you.
CE: So the high school for your district was Tam?
VA: Was Tam, yes, exactly. And then after Mrs. Jones -- Charles graduated and
she had no more children, she ran for trustee of Tamalpais High School and she
made it, she was trustee down there.
AK: Yes, she was.
CE: Well, is this districting still true today to your knowledge, Valerie?
VAL Yes but we had --
CE: We have Drake High School now.
VA: Yeah, Drake is the one these children go to.
CE: I see.
VA: And also we had what was called a confederated district, which was really
in theory only, but that’s what it was called. And Mr. Thomas had Fairfax,
as I told you, at San Anselmo and Kentfield and then that, some years ago, was
broken up and each is --has his own area, his own district and has his own Superintendent.
CE: Are there any things that you have done over the many years teaching that
were considered innovative other than music appreciation? At the time you were
able to --
VA: I don’t know about it being innovative but --
CE: I think it was at that time --
VA: I mean this next subject I’m going to mention but I taught English
grammar and I taught it per se. I had great success in that the youngsters going
to high school were much --
CE: Better prepared.
VA: They were prepared to do their Latin and their languages much more easily.
That’s how I became such a great friend of Miss Ruby Scott, who was a
wonderful woman down at Tam; wonderful, just adored her.
CE: Did you ever utilize diagramming of sentences?
VA: That’s the thing I did.
CE: That’s the way I was taught, and I think there is no substitute. Would
you agree, Mrs. Kent?
VA: Yes.
CE: Diagramming the sentence.
AK: Oh yes.
VA: And to this day, I had a girl recently who lives near Disneyland and she
wrote and said, “I can’t find my grammar book. I wish you would,
if you have one, you’d send one.” Every so often I get requests
for that book because we had a workbook, each one had this, and as the lesson
was presented there was a certain rule that was supposed to be observed particularly
in that sentence and all, then you wrote your sentence then you wrote the rule
and did your diagramming so that it was your reference, you see. They were like
little bibles.
CE: And they stayed with you. That information stays with you all your life.
VA: And many of them have these books to this day believe it or not.
CE: Do you have any still in your library, Valerie?
VA: I think I have one here.
CE: We might look a little later, all right.
VA: Let me see if I can find it.
CE: Valerie has found two of these early grammar books and I can see what you
mean. They are, first of all, so beautifully annotated. They look as if they
used rulers to diagram. Is that true, Valerie?
VA: That’s exactly true.
CE: And in the beginning of the composition book, you have basic grammar rules.
“A verb shows action or asserts. Some verbs are run, jump, talk, is and
was.” And then we go ahead and you see the beginnings of --”
VA: Excuse me, may I interrupt?
CE: Yes.
VA: When you talk about verbs, and I think you’ll be interested in this,
some of these rules I required memorized.
CE: Oh really?
VA: Yes. Some of them we memorized. And for instance, the rule about the verb
that never takes an object complement, am, is are, was, were, be, being, been,
appear, become, and see never take an object complement. When Jane Crisp, that’s
Mabel’s daughter -- When Jean Crisp was having her first baby, my Doctor
Harris, my great friend Mary Harris who unfortunately has gone into the hereafter
but was nearly 100 when she did, was the anesthetist. She heard this thing going
on and on about am, is, are, and blah, blah and here was Jane, under the anesthetic,
saying this am, is, are, was, were, be, being, been, appear, become and see
never take an object complement.
CE: Well you know I can remember in German class when I was going to high school
this “aus, bei, mit, nach, seit, von zu take the dative, how about you?”
VA: Yes, that’s right.
CE: And you’d write, “How about you?” You’d make up
little rhymes.
VA: Yes.
CE: And those stick with you.
VA: Yes, that’s right. Well, that was one of that kind, exactly.
AK: That’s good.
CE: Well this particular grammar book that I was looking at is “Charles
Davis,” is that correct?
VA: Yes.
CE: Charles Davis. What happened to him?
VA: Well he probably left it and I probably just -- you know he may have said
to me --
AK: I wonder where he is now.
VA: I don’t know I just haven’t the faintest idea.
AK: He used to live on Upper Road, I think. I don’t know what became of
him either. It would be interesting to know.
VA: Yes, wouldn’t it?
AK: Yes.
CE: Well here it shows “Example 17, The cat was in a sound sleep,”
and see how beautifully that sentence is diagrammed, Mrs. Kent.
AK: Yes, isn’t that nice?
CE: Beautiful, beautiful. Valerie, I noticed when we went over to the bookcase
to fetch these that you had one of the rare copies of Maude Faye Symington’s
memoirs Living in Awe. How did that come about? How did you know her? Through
your music appreciation?
VA: Yes, because she was instituting, as it were, and founding our wonderful
Marin Music Chest, you know. And she gathered among, oh to her home or wherever,
you were there too, Mrs. Kent.
AK: Yes, I was.
VA: She gathered people from various parts of the county to help her formulate
this great idea she had to put it into being. And because of the music appreciation
she knew that I would interest the children, which I did. So I took it upon
myself to take that area, you know, and we used to let the children pay five
cents or a dime, even, to belong and I know my whole school, I had hundreds
of them that would bring little nickels and they’d get the little tickets.
CE: Well that’s what she wanted, the most music to the most people at
the smallest price.
VA: Yes, exactly.
AK: That’s right.
VA: And so we became, through that, very good friends and you know the strange
thing is this, when I was growing up -- of course my father loved music and
he had a fine tenor voice --
CE: Most Germans do.
VA: And he belonged to a mannerchor.
CE: Mannerchor.
VA: And so living near Oakland and living near that famous MacDonald Theater,
that had very fine acoustics and many of the good artists in those days who
came went there to present --
CE: To perform.
VA: The performance. And whenever Maude Faye came, my father always took me
to hear her, believe that or not. And I was just in my young teens and even
before I was in my teens, I know. And I would go with my father and sometimes
it would even be at night, I can remember he’d go along in the car, they
had trolley cars in those days from Alameda to Oakland, and I just loved to
hear this woman sing. And it just seemed like a dream come true to think that
I could meet her.
CE: Well her repertoire was largely German because she had sung in the Munich
Royal Opera for years prior to World War I and then of course with the war situation
she had to return to this country. And then interestingly enough the Met didn’t
want her to sing German; it was verboten.
VA: I know, isn’t that funny?
CE: What are your memories of her voice? Was it quite outstanding, as a child?
VA: Oh, as a child I thought it was gorgeous. Probably it wasn’t, you
know, but I thought it was lovely.
CE: Well the Marin Music Chest is a success because of her; she created it.
VA: Oh yes, oh yes. And I used to enjoy so going down to her home in Kentfield,
the Top Hat.
AK: Yeah.
VA: And would go down there for dinner.
CE: You know that house is still there on Faye Lane.
VA: Yes, thank goodness.
CE: Off of Laurel Grove.
VA: I think that they sold it, didn’t they?
CE: Yes.
AK: The old house is gone though.
CE: No, but her house, the one she built --
VA: Top Hat.
CE: Top Hat is there.
VA: And then it was so wonderful to be with her then. You know she might have
been a singer but she certainly was an actress.
AK: Oh yes.
VA: And that I loved and she’d tell me all kinds of things.
CE: Well I think we are indeed fortunate to her nephew Marshall Dill Jr. who
obviously adored her --
VA: Yes.
CE: Because he edited and published her memoirs.
VA: Now he still teaches, doesn’t he?
CE: He’s the Professor of European History at Dominican and he is the
author of many books.
VA: I know that.
CE: Paris in Time, History of Modern German
VA: He must think I am just the crudest kind of person because, as I said, I
haven’t written. The book was left for me by him to the Skewes Coxs, his
friends, who moved recently to San Rafael Avenue.
VA: And they said, “Don’t bother writing him because we’re
having him in for cocktails and we’re having you and then you two can
have a nice talk” and so on, and it’s never come about. And then
I’ve tried to reach him at his home in San Francisco many times but I
apparently just don’t reach him at the right time.
CE: Well we’ll have to see that you get together.
VA: Oh I must see him, yes.
CE: We gave a reception in May for all the people we had interviewed, approximately
100 people.
VA: Yes, and was he there?
CE: And he came.
VA: Oh sure.
CE: And he came mainly -- He said he’d never seen Civic Center since it
had been built and he was a little embarrassed about it and he wanted also to
see the California Room. So he and Virginia Borland, the County Librarian, are
fellow students at Stanford. They were in the same class.
VA: Oh, how interesting.
CE: So that was a very nice reunion.
VA: Yes. Well I haven’t seen him since he was a young boy up at Mrs. Symington’s
you know.
CE: Well Mrs. Kent, how about you? Aren’t there some things you’d
like to discuss with Valerie before we conclude our visit?
AK: Because I’ve known you so many, many years but I never dreamed that
you were as fine in so many ways as you are, have given to so many, many children.
VA: Thank you.
AK: This really is something all San Anselmo and Marin should know about.
CE: Well, they’ll know about it now in a tangible form.
AK: It really is.
CE: Well I think it’s heart warming. I’ve lived with my sister all
my life who’s been a teacher and it does my heart good to see the cards
and letters come from all over the world, and she’s taught hundreds of
them.
VA: That’s right.
CE: And you have perhaps thousands as you look back
VA: Yes.
CE: Forty-six years.
VA: Yes.
AK: Yes, it’s really, really wonderful.
CE: Weren’t your parents proud of you when you stayed here and you came
here on your own and you left the nest and --
VA: I don’t know if I can say that because you know my mother was born
in San Francisco but I think people of European background are inwardly sentimental,
of course about much, but I don’t think they’re very articulate
when it comes to -- I can’t ever remember my mother --
CA: Saying so.
VA: You know saying, “Oh I think this is wonderful that you --”
AK: Oh well that didn’t make her any less proud of you.
VA: Oh no I’m sure of that. That’s why I say, not for just telling
you, they just kind of expect that you know the right thing to do and you do
it.
AK: But they must have been just a little bit sorry that you didn’t want
to come to Alameda.
VA: Oh I’m sure, yes.
CE: What was your father’s vocation?
VA: He had a meat market, a big one like the Frank Keeney market.
CE: Oh gosh, wonderful.
VA: In Alameda. A very fine – He had all the fine --
CE: Trade.
VA: Oh yes, very, very fine. It was there for years, you know. That’s
a picture of him when he was a young man.
AK: Great.
CE: Well, I certainly want to thank you, Valerie, for being so generous with
your time today. I didn’t mean to exhaust you by this long performance
but you’re very sweet to share with us these reminiscences.
VA: I feel I’ve been so lucky.
CE: Don’t you?
VA: I just feel I’ve been so lucky.
CE: You know it’s rare, your whole manner is indicative that you have
fulfilled what you have wanted to do in life. You’ve done what you’ve
wanted to do. Not many people can say that.
VA: I guess you’re right.
CE: And look at you’ve been fortunate to stay in this lovely setting.
VA: And of course the friendships I’ve made through my teaching, that’s
something, oh, money couldn’t buy. Some of these people that I’ve
had in my life for so many years. For instance when I was the supervising principal
for the last five years, I was allowed to have a secretary because really --
you know --
CE: The paper work.
VA: The paper work. Because now they’d done away with a good deal of their
-- the teachers I don’t think even keep their registers any more and I
think that’s too bad because it made you know just where you stood with
the children and you watched their attendance and so forth. I mean it has a
bearing on a child --
CE: Oh, our attic is full of my sister’s twenty-five year books.
VA: I bet.
CE: And I said, why don’t we do something? Oh they represent my whole
life.
VA: Well, of course.
CE: And she can pick any of them up and immediately that youngster comes to
life.
VA: Oh, is that so? Yes. And so I had two or three secretaries during my years
of having them. Wonderful little women as a whole but the last one was a prize
indeed. Her name is Mary Hewitt and her husband, Ed Hewitt, is connected with
the Viacom in a way and he deals in selling packaged movies to various stations
after they have been -- from television and so forth. And he belongs to the
Bohemian Club and is an outstanding singer himself and quite an actor. And they
have just been so wonderful to me and one reason I retired the year I did, the
trustees asked me to stay another year but he wanted her to retire because he
just felt that she had done her part and so we both did the retiring together.
But they are ever in my life and they just do the loveliest things for me and
I go places with them and so forth and share with them and it’s just very,
very wonderful.
AK: Oh that’s unusually wonderful.
CE: Do you remember your retirement day, Valerie?
VA: Oh do I. That was the most wonderful thing.
CE: Would you describe it for us?
VA: That was seventeen years ago, out at Bermuda Palms. And Ada Fusselman was
alive then and this group, this committee, did a “This is Your Life”
on me.
It was simply --
CE: All these people came in from the wings and --
VA: My dear, they came from far and near, that was one of the greatest things.
There never was a teacher that had a finer send off than I had. Oh gracious
sakes. I think during the day, because the P.T.A. had a reception first and
they served cookies and punch and so forth, but they came in, they flew in,
they came from all areas but during the day there were over 600 people that
attended that event.
CE: Good heavens, what a tribute.
VA: Then we had dinner, those who wanted to stay. Oh it was wonderful, just
wonderful. And Aunt Let was living then and my Doctor Harris was living then
and they were there on that stage and my whole family was in on it.
CE: Was it a surprise?
VA: Surprise, definitely, to me. They presented me with a wonderful scroll which
was in the form of a diploma and a check for $1400.00.
AK: Isn’t that wonderful?
VA: Just think of it. And I have the book with everybody’s name and I
have all the telegrams and all the cards and messages and I’ve heard from
people I haven’t heard from for ages.
AK: That’s wonderful.
VA: And the people from Tomales came; they were represented, too. It was just
something, just something.
CE: I don’t think anybody retiring today would get such a tribute because
they don’t stay with things as long, they don’t give of themselves
as unselfishly as you have. It’s an extraordinary career. Now, in closing
Valerie, I want you to share with us. You obviously were on the right track
in education. You got results from your students. What’s happened, other
than as you said originally a little too much permissiveness in the attitude
of the teachers; they have to publish or perish. What can we do to bring education
around?
VA: It has to come through the parents.
CE: It has to come through the parents.
VA: Oh, yes.
CE: They, through their PTA and the trustees, must insist upon the higher standards.
VA: That’s the idea exactly.
CE: There are no short cuts.
VA: Oh, no short cuts, no. And of course, I do believe that the institutions
of learning, I mean the ones who prepare teachers for this career, have got
to change some of their ideas. They’ve been far too radical, far too radical.
And after all --
CE: Why can’t they admit they’ve made a mistake?
VA: Oh they know.
CE: You know much of it was experimental. It didn’t work. Just say, “All
right it didn’t work. Let’s go back to the basic things.”
VA: Of course. Just the same as this new math that emanated from the college
area, of course, and it certainly has not worked in many places and they have
actually thrown it out.
CE: Well we certainly want to thank you for allowing us to come today.
VA: Well, I hope I can see you again.
CE: It’s done us a world of good and I feel inspired by meeting you today.
VA: Thank you.
CE: We will see you soon.
VA: Do you live in Marin County?
CE: Yes, I do. And auf wiedersehen. Erstreckt, zu, lehr ich kennen, zu, lehr.
VA: Auf wiedersehen and thank you so much, very nice.